Sunday, February 2, 2014

PSA: Crate Digging Tip #24 - Safely Removing Stickers From Record Covers and Record Labels with Goo Gone



A Crate Digger's Staple Cleaning Tool, Goo Gone


Related to Elements: Crate Digging, DJ, Graffiti


The following is a UNPAID endorsement of a great product, Goo Gone, that does exactly what it promises and it works perfectly on even old priceless records as well...  Scrutinizers feel free to click on any pics to zoom in.

We've seen them thousands of times on records and record covers, those pesky price tags, those DJ marking stickers on the label or on the run out groove, those "Hello, My Name is" BPM indicators, the file labels on the cover, or in the worst case, old masking tape with song info blasphemously written on them by the previous owner of your precious records.  They have become the eye sores we've learned to live with that have devalued the records for sellers and collectors alike.  As a collector, when we see them stuck on we know we better get a discount.  Consequently online sellers know if they sell a record without pointing them out, they may come back, returned by a pissed off buyer who wanted the "perfect" cover.

Truth is, we don't need to live with those stickers any longer.  The fix has been "out there" for a long time, but apparently, it is not a well known fix.  Often when people ask how to remove these things I mention it and get a strange look or a "You'll ruin the cover!" response.  "You'll make the ink run! Are you crazy!?"  or even "Don't tell people that!  You'll make the record label peel off, ya jerk!"  It's time to put that naysayer nonsense to rest with a little show and tell session.  Bottom line is, if you have a lot of records, sooner or later, you'll need this stuff to get rid of the stickers that are, for better or for worse, a very real part of collecting vinyl.

For this demonstration I chose 3 different types of very common sticker problems commonly plaguing record collectors.   The old stuck-on price tag, the file label, and the dreaded old masking tape stuck to the cover.

The Price Tag:




The steps for each sticker removal technique, regardless of the problem are always the same.  


The 4 Steps for Removing Stickers from Records: 

 

1. Squirt Goo Gone on the sticker and let it pool on the surface and nearby surrounding area.  (Careful it comes out pretty fast!)  Don't be afraid if it goes all over, you can wipe up the excess easily and it does no harm.

2. Let the Goo Gone pool sit on the label for 30-90 seconds.  It takes a few moments to soak into the sticker while you wait.  Don't worry, everything will be just fine as it sits there.

Scratchin'!  What is it?!


3. Lightly scratch with your fingernail the sticker and you'll notice the edge of the sticker starts to come up easier with each scratch.  Eventually you'll be able to grab the sticker and slowly peel it off easily.  If there is any residual sticky stuff from the sticker scratch it off easily.  If the residual sticky stuff is pesky add another squirt and it'll come right off as well.



4. Wipe away any remaining Goo Gone liquid with a towel to shine the record and enjoy the pleasant orange smell.




VoilĂ !  There is no evidence that this even had a price tag! 

 

The Record Cover Sticker:

For 23 years (guessing) this sticker has covered this spot.

 Repeat the same 4 steps above for record cover stickers.  


Ya know the rules!  It's not ever coming off. Wrong, it's coming right off!


Huge improvement.




The Dreaded Old Masking Tape:

Let Me Show You...

24 years gone in 30 seconds.


The tape was there, now it never was.  If I was a seller, I could raise my asking price


As a bonus, after wiping it down with a towel it revives the shine of the gloss

I have successfully removed all types of stickers from even no-gloss card-stock covers, even recycled cardboard covers show no sign of the tag or Goo Gone residual markings.  It evaporates quite quickly so even if a wet spot briefly appears on a glossless cover, give it a minute and it'll be gone along with the goo.

BTW, It also seems to work well on kid records crayon marks, some non permanent ink, and other sticky imperfections.  But I would not try this on hand painted covers, that may result in damage to the paint.  I only have one hand painted cover so it's not as if this is a major concern worth mentioning, but I should anyway just in case others have hand painted covers to be wary.  Also, It will remove a record company's factory placed stickers just as easily so be extra careful around factory stickered sleeves.  


So if you are a buyer, keep in mind, if the seller discounted a record because of a sticker on the cover, regardless of how anal you are, you can buy it at the reduced price and easily remove the sticker with a $5 bottle of plain old Goo Gone.  One bottle will do hundreds of records.  If you are a seller, you might be selling it for more after you apply this technique to your pre-sales tactics.  Some covers are hard to find in good condition and this will be safe on even the rarest of records.  Remove the sticker, raise your cover condition, and consequently raise your profits.

This stuff works, I use it myself all the time, and I recommend it to anyone irked by stickers on records.

Friday, November 22, 2013

My Horrible Records Time Capsule, Subtitled: Crapsule

 
Cuing up "That Smell" by Lynryd Skynyrd

Related to Elements: Crate Digging, DJ, Underground

Every evening as I descended the basement stairs on my way to my nightly music-listening ritual in the man cave, I'd be forced to ask myself "What is that God-forsaken, moldy-ass smell?  ...And why are the stairs squishy feeling?"  I knew the answer already, but I was afraid to look and find out.  I ignored it until the smell became unbearably strong and it was obvious at that point it was time to act for the health and safety of my family.  

So after a little liquid bravery on a quiet Saturday morning it was time to bust out the power tools and demo some basement walls!  After a little sweat and a lot of noise I found a hidden crawlspace right next to the basement steps where the smell was emulating from.  

IT WAS ABSOLUTELY NASTY!  As soon as I removed the paneling hiding the hell hole, the smell rushed out of there and grabbed my nose hairs.  Thankfully my family was gone for the weekend and luckily I had a dust mask to help at least keep some of that death out of my lungs.

Well now I did it.  I just created a huge job for myself, but it was one that couldn't be avoided any longer.  I knew looking at the hole what I had to do.  It was time to man up and seal this place up properly.  But only AFTER dealing with the mold that came courtesy of the dumbassery of the previous owner of my house.  I've watched enough Holmes on Homes on TV to know it needed to be "done right the first time or not at all!"

Don't worry, I'm not going to go through the entire child birth process, I'll skip right to the baby.


Removed the nasty, poured concrete, sealed with Dry Lok Paint, insulated properly!

Long story short, after a lot of work the smell was finally gone!  Now I can seal this up properly and I'll know there will be no problems with moisture or moldy insulation again.

Water Tight, Air Tight, Sealed Space = Time Capsule


Before I seal this small crawlspace up behind walls for "eternity", I knew I had one chance to leave behind a permanent message for future archeologists or pissed off home-owners.  Something that I can leave behind that represents my lifestyle as a human being.  After pondering a while on the dilema with a few beers it hit me, "Duhhhhhh, RECORDS!!!"

Records Last Forever!  Well, they do if stored and\or played properly, and this was now the perfect sealed-off from the elements environment.  But there's no way in hell I'm going to leave behind any of my cherrished records!   Even some of my crappy records can still be sold for cash, so I couldn't just throw in random crap that some people would enjoy.

I had to choose the most horrible records I had.  Stuff I'd have a hard time selling even if I wanted to.  I had to choose records that were horrible quality pressings or massively overproduced or just terrible music.  So I chose 3 records that represented all of those qualities and gifted it to the future inhabitants of my little corner of Earth.


Time Crapsule: The List!  My 3 Worst Records Left Behind in No Particular Order


Relax!  It's the Mexican Pressing

1.  Devo ‎– Freedom Of Choice "Libertad De Eleccion" LP (Warner Bros. Records) Mexican Pressing 1981

Look, I LOVE Devo.  It pained me to even THINK about dissing Devo in any way.  But this pressing was not their fault and if anything it probably pissed them off more than it did me.  I actually bought this record earlier this year from an online seller.  It was never the best album they did but it was a Devo album I didn't yet have on wax, still sealed for only 6 dollars!  What could go wrong with that deal!?!  Well, I guess I didn't pay attention to the "Mexican Pressing" footnote on the product listing.  

 
"I'm on a Mexican, (woah woah) Radio!"


"What's so bad about a Mexican pressing?" you may ask.  After all, they invented the world's only perfect food, the taco, so how could they possibly screw up something as simple as pressing a record?  Well apparently they didn't have the speed setting right at the pressing plant that day because this record sounds like the Chipmunks doing Devo.  No lie, this thing somehow plays too fast at 33 RPM.  

But hey, no problem, I have a deck with pitch control, so I'll just slide it way down and then it will sound normal right?  Well it helps a little, but screw that!  Any time you have to use your pitch control to make ANY record sound right you are literally bending over and taking it from the record companies.  Even with the pitch adjusted the entire thing sounds hollow and without any nuances.  This is probably one of the worst cases of quality control I've ever seen\heard in all my years of collecting records.  

So Naturally I couldn't sell this to anyone in good conscious knowing the look on their faces would be similar to the look on my face when the needle was dropped on it for the first time.  I can't pass on crap to others, that's the opposite of paying it forward.  Besides, Devo deserves more respect than that.  So I whipped it into the hell hole!  (sorry, bad pun!)




$12 from 720 records, this was unofficial as all hell, a DJ Shadow boot to boot

2.  DJ Shadow ‎– March Of Death / Karmacoma 12" BOOTLEG (Mo Wax) 2005

I love DJ Shadow's music and I love Zach De La Rocha's music so the thought of hearing a collaboration between them was WAY to intriguing for me to pass up when I saw this back in 2005.  I'll admit, I knew it was a boot when I bought it, but there was no other way to get that music back then, and, as it is often the case, curiosity killed the cat.  

This sounds like pure ass.  It sounds like it was recorded from telephone and then pressed to record.  There is almost ZERO bass, it is muffled, it doesn't even begin to sound good at any point.  Even with my EQ highly tweeked it was not enjoyable to play on either side.  

As with all bootlegs, the artists on here didn't make a penny off this sale.   Shadow himself mentioned it's existence on his website and obviously if it was legit it would have gone through quality control until it sounded great...


Like it does here...

The Real Deal.  Buy THIS if you want to actually enjoy that song.

Once I bought the Handmade record, there was no way I was going to keep that bootleg around, and I couldn't justify passing the buck onto a fellow Shadow fan even if he or she knew what they were buying.  They deserve better and the musicians deserve better.  It was clear that this boot deserves permanent dark days in the hole.  


 

3. Natalie Imbruglia ‎– Smoke (Remixes) 12" Promo (RCA) 1998


Horrendous music doesn't even begin to describe this
Why in the name of all that is unholy do I even have this?!  I don't even REMOTELY LIKE Natalie Imbruglia so why is this vile record touching my other records?  It's not that she's a bad musician, (well yeah, she's pretty horrific or maybe average sounding on her best days) it's that this is an overproduced sounding remix clusterfuck.  The remixers didn't even attempt to use her vocal track in a respectful way, in a way that accentuated her vocals, or even left the vocals alone.  These songs were all about over-effect-processing trippy-trance sounding beats and basically they were trying to make it get played at some upcoming rave.  

I think I bought this on year one of my record collecting days, when I was an utter newb.  I clearly didn't play it before I bought it or I would have left it in the store.  I'm pretty sure I bought it because I liked some of Rae and Christians productions at the time.  Yet even that remix, the only remix I bought it for, sounds abominable.   There is literally nothing about this collection of corny, predictable-build filled, and utterly outdated sounding remixes that sounds even remotely tolerable.  

I attempted to sell it a few times and I got blank stares from the record store owners I showed it to.  The last guy I brought it to said "Dude, I have like 5 of those online right now for a buck, so even if you want to donate it to me, I don't want it."  I swore that would be the last time I took it home feeling embarrassed and defeated, so into the hell hole it goes with the rest of the heinous archaic black discs!



A Warning for the Future

 

And now the message.  Time to write something that will be my legacy, something awe inspiring...  I could leave a written http link to this blog, but blogs are too temporary and who knows if the Intenet won't be directly responsible for Skynet in the future.   

Hmmmm....


Ah hah!!!



Sometimes I just can't leave well enough alone



Cuing up Taps

 

It's the moment of truth!  Now it's time to permanently seal the horrible record time capsule.  

2" pink foam was cut to size, but not too tight yet leaving room for expansion foam to cement it firmly into place.

Closing the coffin lid on wack records
 
Lastly I sealed off the capsule forever with Great Stuff expansion foam.
 
Using expansion foam around all 4 sides for an airtight, watertight seal


That's all folks!  Nothing more to see here!
The expansion foam has now cured, the cavity is officially sealed off forever.  Now I'll cover it up with drywall and hopefully the next guy won't see it until I'm dead and buried.  

And on the day I die, I can do so with a small sense of fulfillment knowing this little piece of history was left behind for future generations to hopefully enjoy hating as much as I did.


Wednesday, August 28, 2013

Speaking of Crate Digging, What About The Crates?

 
Stacks of milk crates
What crates stack up the best for record storage and transporting collections?

Related to Elements: Crate Digging, DJ

Long before Showbiz & AG rapped about "Diggin' in the Crates" on their 1991 Soul Clap EP, or even before "Diamond done looked in the crate and found you this FUNKY beat!" on Raheem's 1989 track "I'm The King", DJs and vinyl collectors have been digging through actual real milk crates for their records.  In fact, crates have been used for decades longer than the term Crate Digging was even muttered in any song, because of their once abundant availability and convenient size they were the most practical container for transporting and storing records.  Milk crates can come in countless shapes, sizes, styles and colors and to this day they are manufactured specifically for storing things just like your records.  Some are much more practical than others for the job.  While some are easier to carry, they might be bad on record edges when diggers carelessly flip through them.  Yet others were seemingly designed for storing 12" wax because they cradle the records safely under the rim making them easy to stack without damaging the top spines.


K-Def Crates
K-Def knows crates.

Random Milk Crates
Crate Break Down: Your typical crates, the classic brown, classic orange, and bad blue Sterilite.


For over 15 years, Wade Schilling, Owner of Metrowax Records has accumulated a mass amount of all kinds of interesting crates in his various acquisitions of DJ collections.  He has been kind enough to let me run rampant in his huge warehouse allowing me to snap photos of the more interesting ones that not a lot of people see hanging around any more.  He's got the good, the bad, and the ugly crates too.  It's clear they just don't make crates like they used to, in fact so many of these are now basically antiques.


Crates are rarely ever discussed by crate diggers, they ironically seem iconic and mundane at the same time.  Everyone who has them seems to overlook them, they neglect them or kick them out of the way, or maybe they step on them to reach a higher shelf.    Antique or not, no one really knows their true dollar value, nor does it matter, but we all visually associate them with what we truly love, our vinyl collections.  When you see a milk crate, you don't think about milk, you think about records! 

Digging in the Crates
Classic Orange vs Big Grey


So which ones work best? Which ones are the worst for storage and digging? It depends. It's basically a personal preference based on how you use them. Are you a DJ who only cares about the music, wants something lightweight and easy to handle who maybe doesn't care if the covers are damaged? Are you an audiophile who keeps the record covers in pristine condition and puts outer protective plastic sleeves on his or her best wax? All of these are factors in deciding which ones get filled with your beloved records.  



The Classic Orange Crate:


orange milk crate
The smaller classic orange crates force angled storage of records
It could be orange or brown or any color.  It's whatever color the milk company felt like repping that year.  At Metrowax most of them are orange with the big green "G" for Golden Guernsey Dairy.  But regardless of color, they are all that slightly-too-small-for-twelves size.  

Personally, I like my 12" records to fit perfectly in the crate.  These classic orange crates are not wide enough for that.  However, when packed just full enough (not too full, or too loose) the records don't flop back and forth and for transporting small collections they are adequate and fairly rugged and light weight.  But they are not stackable when full of 12"s and if you don't have the right number of records in them the records tend to bend and flop back and forth which can be hard on the edges and the records if you aren't careful.  



Classic Orange Rating:

Strength: 9/10
Weight: 9/10
Record Wear: 5/10
Ease of Handling: 8/10
Amount of Records Held: 5/10
Overall Rating: 7/10 (Average)




The Big Grey Crate:

grey milk crate
A mad villain named DOOM stares from the iconic "X"s in big grey crate
Records easily fit in Big Grey.  They stay well below the rim making them easy to stack while full.  They are tough and fairly lightweight but not as easy to handle as the classic orange.  The hand holds are fairly sharp and when loaded are a bit rough on the hands.  The edges inside the crate, like many crates, are fairly sharp and with repeat record flipping they will wear on the record jackets' spines and sides.  Like most crates, potential wear and tear can be minimized when it's lined with either congregated cardboard or carpet on the bottom, or if you really want to be anal you can line the front back and sides with cardboard as well.  


Like the grey crate, this white one has sharp handles.  Fixed with grip tape!
Big Grey Rating:
Strength: 9/10
Weight: 8/10
Record Wear: 7/10
Ease of Handling: 7/10
Amount of Records Held: 9/10
Overall Rating: 8/10 (Above Average)

 



The Big Orange Crate:

orange milk crate
Unlike the classic orange, this generic orange crate is full sized
I bought this crate from Wade months ago because it was one of my favorite crates ever,  and it really adds a nice touch of color to my studio.  It currently holds all my odd-ball novelty crate digging beat-source records, library records and sound effects.  Records easily fit in Big Orange as well.  Records are taller than the crate so once it's full it cannot be stacked.  They are extremely tough with almost none of the typical crate holes which are much easier on the records when flipping through them.  Their handles are a bit sharp and might hurt the hands when fully loaded but they are still one of the most practical crates for protecting, moving and storing records.  When a 12X12" carpet square sits at the bottom of big orange, it cushions your records and keeps them from sliding forward, and with that small addition, this crate is as good as it gets.


crate with carpet
Like the classic orange, without padding, the bottom is not ideal for record wear and tear



Big Orange Rating:
Strength: 9/10
Weight: 7/10
Record Wear: 9/10
Ease of Handling: 7/10
Amount of Records Held: 9/10
Overall Rating: 8/10 (Above Average)



The Big Red Crate:

red milk crate
Big red, the best crate to store my scratch tools
The same day I bought big orange, I bought this crate from Metrowax as well.   It seems to be much older and tougher then big orange, and it has the throwback milk logo going for it, but other then that it's basically the same type of crate except slightly taller. 


sealtest milk crate
A vintage French-Canadian Milk Crate













Big Red Rating:
Strength: 9/10
Weight: 7/10
Record Wear: 9/10
Ease of Handling: 7/10
Amount of Records Held: 9/10
Overall Rating: 8/10 (Above Average)




The Bad Blue Crate:

blue crate
Notice there is no records in that?  There's a good reason for that.  Bad blue is called that because quite frankly it's lousy and basically a worthless waste of space.  It's a fairly modern, cheaply manufactured crate for random home storage use by Sterilite.  This never had anything to do with milk, and it shows.  Metrowax probably got this from some DJ who bought it from K-Mart back in the day.  It's very lightweight and therefore very breakable.  Every single edge protruding from inside and outside of this crate is sharp.  Incidentally It destroys record's covers with even a few flips through them.  Even half loaded with records, picking it up leaves sharp painful pressure marks on your hands.  You can find a very similar modern day equivelent of Bad Blue in many department stores and I would strongly recommend that you never buy it for storing your records unless you don't care about cosmetic damage to your covers.

Bad Blue Rating:
Strength: 5/10
Weight: 8/10
Record Wear: 4/10
Ease of Handling: 3/10
Amount of Records Held: 8/10
Overall Rating: 5/10 (Poor)





The Sharp Yellow Crate:

yellow crate
"OOOM, BOW BOW...  CHICK!  CHICKA, CHICKAAAHHH!"
Like bad blue, this is manufactured for general home storage for people's crap.  Except this one is even weaker, lighter, and sharper edged and so it chips easily.  Carrying it even empty pains the hands.  This one is so bad it seems to have attracted some kind of brownish mold growth on it.  It normally doesn't even store even Metrowax's unsellable records but since I found the perfect 12" for the picture I couldn't resist the setup of the photo.  As soon as Wade saw me fill it with records he made damn sure I emptied it immediately after photographing it.   "I don't even know why that crate is in here" he muttered.

Sharp Yellow Rating:
Strength: 4/10
Weight: 8/10
Record Wear: 3/10
Ease of Handling: 2/10
Amount of Records Held: 8/10
Overall Rating: 5/10 (Very Poor)



The Wide Load Crate:


wide crate
Embassy Dairy's wide load crate, not bad for CDs
This vintage milk crate is fairly odd, it's much wider than the standard square crate.  Not thick enough to put 12" records in it the long way, and too wide to put them in the short way.  You could place a few twelves in it and slide in a few 7"s on the side of it to keep them from sliding around, or better yet, you could use it the way Wade does as storage for random 45s and CDs.  Basically, when loaded, It's too cumbersome to be practical. It's better as an "odds and ends" storage container.


wide crate
Not bad for 45s either!
These two are from "Embassy Dairy" with the tag-line "A Protein Group Company" based out of Waldorf Maryland.  Want to call them and see if they have any more crates?   All you gotta do is zoom in to the phone number on the picture of the crate and see if they are still kicking it in 2013.

Wide Load Rating:
Strength: 8/10
Weight: 6/10
Record Wear: 5/10
Ease of Handling: 2/10
Amount of Records Held: 8/10
Overall Rating: 5/10 (Poor) 




The Steel Crate:

metal crate
This solid steel constructed crate with a plastic bottom crate is a pain
Just like the classic orange crate, the records don't fit in straight.  They need to be angled to fit in at all.  But at least the classic orange completely destroy your covers like this does with flipping of records.  Sure, it's strong, but it's heavy as hell and loaded with sharp edges.  There's about 30 dollars worth of scrap metal here that's basically what it's good for.

Steel Wire Rating:
Strength: 10/10
Weight: 2/10
Record Wear: 4/10
Ease of Handling: 4/10
Amount of Records Held: 5/10
Overall Rating: 5/10 (Very Poor)



The Wooden Crate (Fruit Crate): 

wooden crate
Stezo chilling in the wooden crate.

Sure it holds a lot of records, but try lifting it.


No brand names on this, so we're not sure if it's a real fruit crate or just handmade and sized the same.  It's got a cool factor, although it's pretty long it's hard to carry and even pick up.  The wood is fairly smooth, but it's still not the best on records edges for flipping through them.  As long as you have to store records you won't be moving for a long period of time this is fine, but I wouldn't even attempt to use it to carry my records from DJ gig to gig.


Wooden Crate Rating:
Strength: 7/10
Weight: 2/10
Record Wear: 6/10
Ease of Handling: 3/10
Amount of Records Held: 10/10
Overall Rating: 5/10 (Poor)




The Plastic Tub:

plastic tub for records
Another cheap Sterilite product

Not a crate technically, but in this case it was purchased to store records.  I guess "Sterilite" is death to covers because this one is just as shoddy as it's other cheap container the bad blue crate.  The sides are smooth, but the records sit on cheap plastic that cracks under no pressure at all.  Wade told me this broke immediately after filling it half way.  


The record edges were somehow stronger than the clear plastic, so it broke through damaging the record and the tub.  Carpet was added to try to get by but even that didn't help the integrity of the tub.  Out of all storage crates this tub is probably the absolute worst option.  Too big to be practical and too week to be filled.  Use this to store record magazines, NOT your records.  There are some tubs that are just fine for storing records but this isn't one of them.


By putting plush carpet in the bottom of these tubs that made it so they weren't completely  useless wastes of space, but even with carpet in them to protect the records, once filled you shouldn't even think of lifting it or the entire bottom will break right off leaving you a pile of damaged records on the floor.

Plastic Tub Rating:
Strength: 1/10
Weight: 8/10
Record Wear: 3/10
Ease of Handling: 3/10
Amount of Records Held: 8/10
Overall Rating: 4/10 (Worst) 






The Record Flight Case (Odyssey) 

DJ Travel Case Records
Bulletproof but heavy.
Another "Not a crate" crate, but this had to be included here because I'm pretty sure this thing literally is bulletproof.  Designed to be sealed closed and even locked for the traveling DJs of the world.  It's made with a heavy duty metal shell with a softer inner padding.  The padding could be improved since when it's not full records can flop back and forth easier, I usually just add a small piece of styrofoam in the front when I'm on the road so if they do fall they fall against that and not the metal lip.  Designed to hold 80 records comfortably its about as heavy as you'd want it to be.  Any bigger and it would be too heavy to carry with the one handed handle at the top.  The really nice thing about this is it protects your records on all sides including from sun damage and subsequent warping from hot days.  Rain and snow proof too! 



Lockable and Weather Proof.


Nowadays I keep all my Sesame Street and non-Sesame Street kids records in here as it's the perfect size for that small niche collection.
 
Odyssey Flight Case Rating:
Strength:
10/10
Weight: 7/10
Record Wear: 8/10
Ease of Handling: 8/10
Amount of Records Held: 8/10
Overall Rating: 8/10 (Best)




Summary:

To cap it all off, it's apparent that there are many varieties of crates out there.  So many we've never seen nor will we ever see since many of them are basically regionally produced milk crates.  They each have their own strengths, weaknesses, and quirks.  In real life scenarios many of the modern retail store sold crates just aren't cut out to hold your records.  Frankly quite a few of the old milk crates aren't much better on your record's covers and spines if misused. 

Crate digging as we know it will always be about the records and never about the crates, but the crates themselves will always be the unheralded symbol of our ongoing quest for our personal best, yet-to-be-discovered records.   



ADD ON!  GOT A GREAT CRATE NOT SHOWN HERE?

Submit it to us here, by posting a picture link in your comment.  If anti-spam settings won't allow you to post a picture link, post a written comment only and I'll make sure it get's shared here.  You can always join up and PM me at our forum the Cratedigging Cooperative or else you can find my email here. 


RELATED READING:  A Crate Digging Breakdown

NEED MORE RECORD STORAGE?  DIY Record Shelves Plans